Schedule of events - Bourse de Commerce - Pinault Collection

On the occasion of the exhibition “Minimal”, the Bourse de Commerce presents Serie DW, an exceptional performance by German artist Charlotte Posenenske (1930–1985), during which her sculptures are assembled live on the Auditorium stage. The performance will be followed by a screening of her film Monotonie ist schön (1968).

Program

• 6:30PM : performance Serie DW (performance)
• 7:15PM : Monotonie ist schön (projection)

The ticket grants access to the Minimal exhibition after the projection. The museum closes at 9pm.

Seats are available for wheelchair users, please contact us to book your ticket: accessibilite@pinaultcollection.com

In resonance with the Minimal exhibition, artist films from the exhibition are screened in the Auditorium during Friday late openings.

The series continues with a session devoted to the films of American artist Richard Serra (1938–2024). Most of his early films, beginning in 1968, feature brief actions: a hand trying to catch falling pieces of lead, two bound hands freeing themselves from a rope, Tina spinning. Later, his work took on a more political dimension, exploring information theory, media, and perception.

Program : Frame, 1969. Tina Turning, 1969. Color Aid, 1971. Paul Revere, 1971. Anxious Automation, 1971. Surprise Attack, 1973. Hand Catching Lead, 1968. Hands Tied, 1968. Hands Scraping, 1968. Hand Lead Fulcrum, 1968. Television Delivers People, 1973. Boomerang, 1974.

The ticket grants access to the Minimal exhibition. The museum closes at 9pm, last entry at 8.30pm.

Seats are available for wheelchair users, please contact us to book your ticket: accessibilite@pinaultcollection.com

In resonance with the Minimal exhibition, artist films from the exhibition are screened in the Auditorium during Friday late openings.

In the 1970s, American artist Nancy Holt (1938–2014) created a series of experimental videos exploring perception, memory, and the relationship to landscape. The films in this program reflect her time spent in the Utah desert — where she traveled with artist Robert Smithson and installed her iconic land art work Sun Tunnels (1976) — as well as her experiments with framing and point of view, in dialogue with her work Locators with Loci (1971), presented at the Bourse de Commerce.

Program : Utah Sequences, 1970. Going Around in Circles, 1973. Zeroing In, 1973. Sun Tunnels, 1978.

The ticket grants access to the Minimal exhibition. The museum closes at 9pm, last entry at 8.30pm.

Seats are available for wheelchair users, please contact us to book your ticket: accessibilite@pinaultcollection.com

In resonance with the Minimal exhibition, artist films from the exhibition are screened in the Auditorium during Friday late openings.

The series continues with a looped screening of the rarely shown Hard Core (1969), an innovative experimental film by American artist Walter De Maria. Filmed in July 1969 in the arid Black Rock Desert, Nevada, the film immerses the viewer in a real-time experience of the landscape.

Program : Hard Core (26:31 min), starting at 7:00PM, looping until 8:45PM

The ticket grants access to the Minimal exhibition. The museum closes at 9pm, last entry at 8.30pm.

Seats are available for wheelchair users, please contact us to book your ticket: accessibilite@pinaultcollection.com

In resonance with the Minimal exhibition, artist films from the exhibition are screened in the Auditorium during Friday late openings.

The series concludes with an exceptional screening of Gabriel (1976), the only completed film by American artist Agnes Martin, shown for the first time in Paris. Filmed in New Mexico, it depicts a young boy standing by the sea, walking through a forest, and climbing a mountain; a contemplative and fragmentary study of landscape, vision, and the perception of nature.

The ticket grants access to the Minimal exhibition. The museum closes at 9pm, last entry at 8.30pm.

Seats are available for wheelchair users, please contact us to book your ticket: accessibilite@pinaultcollection.com